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I envision this timing most likely created throughout the Palladium period however I haven't verified that. Eddie Torres began instructing and promoting this timing beginning in the 1980's, from what I understand. He was mentored by the late June Laberta, a ballroom dance teacher, that assisted him create his technique and timing.
The story I'm regularly told here, that still needs more investigation, is that as salsa began getting to new audiences beyond the Caribbean and New York City, it was simpler and more instinctive to show cultural outsiders to dance On1 instead of On2. However, this tale doesn't make up the truth that I've listened to Rueda de Casino was initially danced a tiempo On3 in Cuba.
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Salsa On1 is just one of various salsa timings you can dance to and it is the most common timing you'll find worldwide today. Salsa On1 timing meaning: "On1" implies you start dancing on the very first beat of the bar of music the 1. Your break steps (direction changes) are on beats 1 and 5.
The exceptions I have actually located until now, where On2 is most common, would certainly be around New york city and in South Korea (Salsa San Francisco). I'm sure there are other locations that dance mostly On2 however I haven't danced in every country! If you're unsure what timing is most usual where you live, ask your neighborhood dancing studio
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When somebody says "I dance salsa On1" they most likely imply "I dance linear design salsa On1" (although you can dance any design of salsa On1, people generally imply straight design). Do not stress if you have actually stated these points previously, it's all good most of us have! The crucial thing is to bear in mind there's a difference in between style and timing and grow your understanding so you can be much more exact when talking concerning salsa with your pals.
It connects well with the wording in the songs, specifically the piano, and other percussion tools like the cow bell and giro. Timing and design are two different points, so different the concepts when you speak concerning salsa with your buddies. Regardless of what timing is most usual in your area of the world, remember you can technically dance any type of design of salsa to any kind of timing check out and appreciate!
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There is an initial mambo dancing that came from Cuba and then spread out to Mexico and New York in the 40s and 50s, these days when somebody states "I dance mambo" they imply salsa On2, which is different than the initial mambo dancing. The erratic free-from steps of the initial mambo were danced solo.
And that's what we refer to as mambo or salsa on2 today. As the dancing started to spread, On1 timing started to become preferred. Salsa On2 interpretation: "On2" suggests you begin dancing on the very first beat of the bar of songs the 2. Your break actions (direction changes) get on beats 2 and 6.
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A whole lot of professional dancers enjoy dancing On2 for the diverse ways you can link to the music. Kid cubano is the songs and dancing that came before mambo and salsa.
It attaches well to the clave, bass and conga - Bachata Dance San Francisco. Cha-cha is much like dancing On2 contratiempo but you add the three-way action on 4 and 8. Although danced to the same beats as On1, your break steps are now on 2 and 6, which changes the feeling of the dancing.
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This timing is virtually the same to contratiempo On2 yet the actions that are generally on 4 and 8 are on 4. It's virtually like a timing in between a tiempo and contratiempo.
5 rather of 5) you're dancing this syncopated timing. In fact it appears it's typically danced as kind of a "mistake" for anyone dancing the previous 2 timings.
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As discussed earlier, this was the initial interpretation of dance on clave (kid clave), where the Puerto Ricans would straighten their front break with the 2-side of the clave rhythm while dancing On2 contratiempo. The concept is to align as several actions of your basic as feasible with the strikes of the kid clave.
Things regarding music and dancing is that there is no right or incorrect. There is just analysis. You can dance on any timing you such as! Naturally, individuals have located a method to dance on almost every timing feasible to child and salsa songs. People dance On3 for the very same reason you dance On1 due to the fact that it stresses the strong beats of 1-3-5-7.
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Let's consider the beats you dance On1 to: -2-, -6- (strong beats remain in vibrant) Allow's take a look at the beats you dance On3 to: -4-, -8- (strong beats remain in vibrant) Notification just how the strong beats are spaced precisely the exact same for On1 and On3? All you do is beginning stepping On3 instead of On1.
That's why dancing On3 is so typical in Latin America. Individuals either Attempt to dance On1 yet begin tipping On3 by accident and it works out just penalty, or They do not know much regarding timing and are simply interpreting what they hear in the songs, based on their experience growing up in a culture with salsa.
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